Film Adaptation and Its Discontents: From ""Gone with the Wind"" to ""The Passion of the Christ""
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Numar articol:180470628
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Specificatii
Most books on film adaptation--the relation between films and their
literary sources--focus on a series of close one-to-one comparisons
between specific films and canonical novels. This volume identifies
and investigates a far wider array of problems posed by the process
of adaptation. Beginning with an examination of why adaptation
study has so often supported the institution of literature rather
than fostering the practice of literacy, Thomas Leitch considers
how the creators of short silent films attempted to give them the
weight of literature, what sorts of fidelity are possible in an
adaptation of sacred scripture, what it means for an adaptation to
pose as an introduction to, rather than a transcription of, a
literary classic, and why and how some films have sought impossibly
close fidelity to their sources. After examining the surprisingly
divergent fidelity claims made by three different kinds of
canonical adaptations, Leitch's analysis moves beyond literary
sources to consider why a small number of adapters have risen to
the status of auteurs and how illustrated books, comic strips,
video games, and true stories have been adapted to the screen. The
range of films studied, from silent Shakespeare to Sherlock Holmes
to The Lord of the Rings, is as broad as the problems that come
under review.
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